L'Avventura London
Žak Ozmo, Director

Fully Staged productions


By Henry Fielding

A tale of seduction, delusion and financial corruption.

Musical Director: Žak Ozmo with L’Avventura London
Stage Director: Harry Fehr

‘…a living document, a biting satire for the 21st century’ – BBC Radio 3

‘…vibrant and highly entertaining dramatic work…L’Avventura is an ensemble at the top of its game.’ – BSECS

'good lines, a pleasant air of cynical anarchy and stylish playing...' - Opera Now

'eminently transportable for future showings' - Early Music Review


Žak Ozmo and L'Avventura London, in collaboration with Bury Court Opera, are pleased to present Henry Fielding’s smash hit ballad opera of 1732. The music for this outstanding work had been considered lost, but is now carefully reconstructed from the archives by Žak Ozmo and ballad opera specialist Vanessa L Rogers.

The Lottery is the outrageous tale of Chloe, a beautiful but foolish country girl who is seduced by the bright lights of London. The story is brought vividly to life by L’Avventura London (‘terrifically animated, wonderful energy… gorgeous!' - BBC Radio 3) under music director Žak Ozmo with stage direction by outstanding young director Harry Fehr.


Ballad opera was the most popular form of musical entertainment in eighteenth-century England and a precursor of today’s musical theatre. Witty, satirical and subversive, it was opera meant for everyone; typically its stories commented on the latest social, political and cultural events, particularly mocking the high moral values – and the music – of the Italian opera that dominated that period. The authors of these works were quality playwrights, such as the novelist Henry Fielding, and the operas mixed popular contemporary and traditional melodies of the time with newly composed music. The tunes were by some of the best known composers of the era, such as Handel, Purcell, Corelli, and others.

Celebrated novelist and satirist Henry Fielding (1707-1754) wrote eleven ballad operas that are among the best examples of the genre. The Lottery was one of his most successful works, and it was still in the repertory into the 19th century. In 1727 Fielding’s family were almost bankrupted by a dishonest stock-jobber (that is, a stockbroker), so, the humorous depiction in the opera was Fielding’s way of publicly shaming such duplicitous cheats. Coupled with the financial success of The Lottery, revenge must have been sweet for Fielding.


Chloe - Stephanie Corley
Lovemore - Stuart Laing
Mr Stocks - Nick Merryweather
Jack Stocks – Steve McCourt
Jenny – Hellen Phillips
Miss Stocks, Lady, Mrs Sugarsops – Ann Marcuson
Coachman, Whisk, Proclaimer - Steven East
Footman, Proclaimer – Ross McInroy

Libretto - Henry Fielding
Original Score - Mr Seedo
Music Director - Žak Ozmo
Stage Director - Harry Fehr
Designer - Naomi Dawson
Lighting Designer - Richard Howell

with - L'Avventura London
Musical Arrangements - Žak Ozmo
Score Reconstruction - Žak Ozmo and Vanessa L. Rogers


Our heroine, Chloe, is a naive, silly country girl. Spurning her country boyfriend, Squire Lovemore, she has set off for London believing that her ticket for the £10,000 lottery draw is already a £10,000 fortune to be spent, and telling everyone she is rich.

Mr Stocks is a shady lottery-ticket seller and ‘stock-jobber’ (an unscrupulous stockbroker). Mr Stocks also sells ‘shares’ in his lottery tickets, for those who cannot afford an entire ticket. This leads to an even more unethical practice: he sells the same ‘shares’ over and over again, thereby cheating the buyers. He likes to call his tickets ‘horses’ – just like the betting shops. Some ‘horses’ will be good runners, but most will be duds.

Jack Stocks is a brother of Mr Stocks Jack, and very much like him: dodgy and willing to do whatever necessary to make money. As his latest scheme has fallen through, he comes to his brother for help. Jack agrees to help Mr Stocks with his scheme to bilk a ‘country lady’ (Chloe) who is on her way to town with a fortune of £10,000. The scheme is for Jack to dress up as a gentleman – ‘Lord Lace’, marry her and then take control of the money.

After the lottery draw, in which Chloe’s ticket comes up as a blank, ‘Lord Lace’ drops his act – and drops Chloe, too. She is forced to go back to Lovemore, who has pursued her to London, the only man who will have her after she’s made such a public fool of herself.